words in movies
JO LYNN: This kitty is Mittens and this one is Fitzhugh, and this little guy in the cat condo is Jinkies.
(Phone rings.� Chandler answers using the speaker phone.)
(She frowns.� Chandler picks up the hand set.)
CHANDLER: Braid each other's hair and ride horseback on the beach?
JOEY: No, no, no.� When you get home tomorrow night, you and I are going to be at the Wizzards-Knicks game . . .� courtside!
JOEY: Yeah.� Maybe Michael Jordon will dive for the ball and break my jaw with his knee.
(Chandler hangs up and calls Monica who is reading a book on their sofa as the phone rings.)
MONICA: Really?� But tomorrow night is the only night I get off from the restaurant.� If you go to the game, we won't have a night together for another week.
CHANDLER: But hey, it's courtside.� The cheerleaders are going to be right in fr. . . (Pause)� That's not the way to convince you.
MONICA: Chandler look, I don't want to be one of those wives who says, "You can't go to the game.� You have to spend time with me."� So, if you could just realize it on your own . . .
[Scene: Ross and Rachel's apartment.� Ross is in the living room covering Emma.� Rachel enters wearing a sexy dress.]
RACHEL: Well, I hope the ends of these sentences are good.
RACHEL: Oh well, well thank you.� (She laughs.� He stares for a moment.)� Okay, stop.� Stop looking at me like that.� The last time that happened, (points to Ross) that happened.� (points to Emma.)
RACHEL: Yeah, yeah.� Phoebe and I are going to have so much fun.� And thank you for watching the baby, by the way.
(Rachel nods.� There is a knock on the door.)
RACHEL: (to Ross) Ok.� So now, I think Emma is probably down for the night, but if you need anything Ross . . .
MIKE: Eh, why don't we start with the beer?
[Scene:� Monica and Chandler's apartment.� Monica is wearing a sexy negligee.� She pours two glasses of wine as Chandler enters with a carry-on suitcase.� He sets the case by the door.)
CHANDLER: (Hangs his jacket over the suitcase, locks the door, then turns to Monica.)� Oh well, look at you.
CHANDLER: Well, it looks great.� It's just that . . . well, I'm wearing the same thing underneath.� So . . .
(There is a loud thud at the door.)
JOEY: Hey!� How come the door's locked?
CHANDLER: Because I didn't know how to tell him that I couldn't go to the Knicks game.� So, I just told him that I had to stay in Tulsa.
CHANDLER: Achhh.� It's always better to lie than to have the complicated discussion.� (pause)� Except with you.
JOEY: Hey!� Open the door.� What's going on?� (He knocks.)
(Monica goes to the door.� Chandler slides behind it as she opens it slightly.)
MONICA: Oh, because, um . . .� well, Chandler's going to be home in a couple of days.� So, I thought I would, you know, practice the art of seduction.
MONICA: Oh I was just doing Chandler's side of the conversation.� You know, like, "Hi, How do I look?"� (As Chandler) "Really sexy.� Could I BE any more turned on?"
JOEY: Okay.� (pause.� He looks over her shoulder at the table with the wine.)� Whoa, whoa.� Why are there two glasses of wine out?
(Monica turns to get the wine.� Chandler peeps through the peephole.� Joey, seeing something, peeps back.� Chandler ducks.� Monica returns with two glasses of wine.� She gives one to Joey.)
MONICA: Cheers.� (She clinks his glass and pulls back.)� Okay, buh-bye.� (She closes the door.)
CHANDLER: You know, it's funny.� I've been, ah, practicing the art of seduction myself.� (He raises his hands in front of himself, sticks out his behind, and wiggles it.)� Hi ya.
JOEY: All right look.� (He walks to the hallway.)� If you can't come home and deal with this, then I'm gonna.
JOEY: (outside the apartment door) I just heard him!
JOEY: (listens at the door.)� No.� (pause) All right, I'm going in.
JOEY: Okay.� Great.� I'll see you when you get here.� I'm gonna wait out in the hall in case the dude comes out.
[Scene: Ross and Rachel's apartment.� Mike is blowing a note from his beer bottle.� Ross stares off to the side.)
ROSS: Shouldn't the pizza be here by now?� I mean, they said thirty minutes or less.� Well, how long has it been?
MIKE: (looking at his watch) Eleven minutes.� (long pause)� And now twelve.� So, do you like the beer?
MIKE: huh.� (pause)� What's the difference between beer and lager?
[Scene: A bar.� Rachel and Phoebe are bringing their drinks from the bar to a sofa.]
PHOEBE: Oh God.� Remember the girls' nights we used to have sitting around talking about you and Ross?
WAITER: (with tray and two drinks)� Excuse me.� Um, these are from the two gentlemen at the end of the bar.
[Scene: Monica and Chandler's apartment.� Chandler is seated in the chair and Monica stands behind the sofa.]
CHANDLER: All right.� I've got a plan.� I'll go down the fire escape.
MONICA: Yes, because all good plans start with, "I'll go down the fire escape."
CHANDLER: Hear me out woman.� I'll go down the fire escape.� Then, I'll wait for a while.� Then, when I come up the stairs, it'll be just like I just got back from Tulsa.� Then, Joey and I will come in and see that there's no guy in here.
(Chandler runs to the window, opens it, starts out, but returns, casually walking back to his chair.)
[Scene: Ross and Rachel's apartment.� Three pizza crusts, two bottle caps and the plastic tripod are left in the otherwise empty pizza box.� Mike is making hollow popping noises with his mouth.� He begins to speak, but stops and pops his lips a few more times and takes a drink.� Ross smiles as if he has thought of something to say, but then he stops and sinks back in a slump on the sofa.]
[Scene: The bar.� Two men are chatting with Rachel and Phoebe.]
KEVIN: All right. It's no big deal. BILL: So, she has a boyfriend. What is your situation? RACHEL: Oh, well, it's complicated. I don't actually have a boyfriend.� But um. . . BILL: Then, can I have your number? RACHEL: (pause) I'm sorry, no. BILL: Okay. (They start to walk away.) RACHEL: Oh sure.� (She pulls a business card from her purse and writes on it.) PHOEBE: (Reading the card.) Oh my God, you're giving your real number. BILL: Okay, thanks. I'll give you a call later tonight. RACHEL: Great. BILL: Bye PHOEBE: Bye. (The guys leave.) Wow. So, that's great. You, Bill, Ross, and Emma are going to be so happy together. What were you thinking?
RACHEL: No.� No, because I know exactly how the conversation's gonna go.� "Hey Ross, you know, I think we had a moment before."
PHOEBE: Yeah, I see what you mean.� By the way, nice Ross imitation.
RACHEL: Well, the point is, maybe I should just stop waiting around for moments with Ross, you know?� I should just . . . move on with my life.
PHOEBE: Well, you kind of just did.� That guy is going to call you tonight.� Ross is going to pick up the phone and that's a pretty clear message.
RACHEL: Oh God, Ross.� Ross is going to pick up the phone.� Oh, I have to get my number back.� (She turns to find Bill, but they have gone.)� Oh my God.� He's gone.
[Scene: Ross and Rachel's apartment.� Ross and Mike are sitting on the sofa.� Ross is fidgeting with the cuff of his sweater while Mike blows his cheeks out.� Ross blows a piece of fuzz from his finger.)
ROSS: Okay.� Well, thanks, ah, thanks for the beer.
(Mike leaves.� Ross closes the door behind him.)
MIKE: (In the hall, relieved) Oh.
(Ross, inside the door, releases a sign of relief.� Back in the hall, Mike's cell phone rings.)
PHOEBE: (calling from the bar on her cell phone.) Hey, Mike, it's me.� Listen, is um, is Ross near you?
MIKE: Wha . . .?� Go back?� To the "land where time stands still"?
PHOEBE: I'm so sorry honey, but, okay, Rachel gave this guy her number and, um, she doesn't want Ross to answer the phone.� So, you have to intercept all his calls.
RACHEL: Oh give me , , ,� (Phoebe gives Rachel the phone.)� Hi, Mike?� Hi.� Listen.� I know this is a lot to ask, but you know what?� If you do this I . . . Phoebe will . . . do anything you want.� Seriously, I'm talking dirty stuff.
PHOEBE: All right. (She takes the phone from Rachel.)� Hello?� Hi.� I'm sorry about her, but she wasn't wrong about the dirty stuff.
MIKE: All right.� I'll do it.� (Phoebe gives the thumbs-up sign to Rachel.)� But really, how much dirtier can it get?
ROSS: (putting his arm up with his hand on the door frame.)� Why?� (He starts to lower his arm.)
MIKE: (Entering the apartment) I, I was just thinking about how much more we have to talk about.
[Scene: The hallway and stairs outside Chandler and Monica's apartment.� Chandler enters from the stairs.� Joey is sitting with a baseball bat.]
CHANDLER: (pause) Well, you're forgetting about the time difference.
(Joey thinks a moment. Then, he nods.� Joey follows Chandler into the apartment.)
CHANDLER: That's right.� You're husband's home.� So, now the sex can stop.
JOEY: All right.� All right.� Then, maybe you won't mind if me and my friend take a look around, huh?� (He checks the bathroom shaking the bat.� Then he proceeds to their bedroom.)� Bwa-ah-ah!
(Thudding sounds can be heard from the bedroom.)
MONICA: (smiling) I arranged some pillows on the bed to look like a guy.
CHANDLER: All right.� Well, I'll check the guest room.
JOEY: (sniffing the air and then Monica.)� Why do I smell men's cologne?
JOEY: (spots the suitcase just inside the door where Chandler left it) Whoa, whoa.� Wait a minute.� Wait a minute.� If you just got back from Tulsa, how did your suitcase beat you here?
CHANDLER: (thinks, then turns to Monica) I climb down the fire escape and you can't put that in the closet?
MIKE: So, except for the fermentation process, beer and ale are basically the same thing.� Fascinating isn't it.
MIKE: I'll get it.� (He lunges across Ross's lap on the sofa to reach the phone.� Ross stares at him with wide eyes.)� Hello?� Ross's place.� Mike speaking.� (pause.� Hands phone to Ross)� It's for you.
ROSS: (takes the phone, but speaks to Mike) I don't understand what just happened here.
CHANDLER: I'm sorry.� I, I told you I was in Tulsa because I wanted to spend the night with Monica and I, I didn't know . . .� I didn't think you'd understand.
JOEY: What? You think I'm too dumb to understand that a husband needs to be with his wife?� Huh?� Do you think I'm like, "Duh."� (He strikes himself in the head with the bat.� He stands dazed for a moment.)
JOEY: (pause) Yeah, you could go to the game with me, ah, even though I know you said you couldn't.� But then you lied to me and tricked me and gave me a bump on the head.
CHANDLER: I'm sorry. �That's the one thing I can't do.� I promised I'd be with Monica.
MONICA: (taps chandler on the arm) You can go.
MONICA: You should go to the game.� It's okay.� I want you to.
MONICA: Yeah, I'll be fine.� You know, maybe I'll stay here and practice the art of seduction.
JOEY: Thanks.� (Joey and Chandler exit to the hall.� Joey pulls out the tickets and hands one to Chandler.)� Here's your ticket.
(Chandler heads toward the stairs, but makes a turn back to his apartment while looking at the ticket.)
(Chandler goes into the apartment, while Joey checks his ticket and is embarrassed by his stupid mistake.)
ROSS: Oh, you know . . . we just drank some beer and Mike played with the boundaries of normal social conduct.
RACHEL: See you guys.� (She closes the door.)
ROSS: Rachel, lock the door.� Lock the door,� seriously.
RACHEL: Oh shoot.� I forgot to pay Phoebe for the drinks.� (She exits to the hallway and closes the door behind her.)� Wait, wait.� Sorry.� Did he call?� Did that guy call?
(Inside the apartment the phone rings.� Ross answers it.)
ROSS: Hello.� (listens)� Ah, no, she's not here right now.� Can I take a message?� (grabs a pad and pen)� Bill from the bar?� (writes)� Okay, "Bill from the bar."� I'll make sure she gets your number.
(He hangs up the phone and tears the note off the pad.� Then, he stops and re-reads it.� Rachel enters.)
ROSS: (holds up the message) Uh, Rach.
ROSS: (pauses, then crunches up the note and stuffs it in his pocket.)� Never mind.
[Tag Scene: Central Perk.� Phoebe and Mike are on the sofa.� Ross enters.]
PHOEBE: Hey.� I'll be right back.� I've got to go to the bathroom.� (She rises and exits.)
(Ross smiles slightly.� Then he gives a single nod that lifts him to his feet.� He exits the coffee shop.
Monica: Well Thats not the only time this was an issue. You remember when umm, you spent Thanksgiving with us? You called me fat.
Monica: Actually, I'm gonna go check on the twins.
Cowgirl: (interrupting) Can I just have the candy?
PHOEBE: Ok, look, before you even start, I'm not denying evolution, ok, I'm just saying that it's one of the possibilities.
Ross: Well sure. But I get married all the time so
Chandler: So how come Richard's selling the place? Went bankrupt? Medical malpractice? Choked on his own moustache?
Phoebe: I remember the day I got my first pay check. There was a cave in in one of the mines, and eight people were killed.
(The girls are unsure how to pair off. Phoebe settles it)
Monica: No, thank you! You have given me so much! I mean, if it wasn't for you, I would never have gotten to sing Memories on the stage at the Wintergarden Theater!
(Both Phoebe and him are singing along and they get to the chorus.)
Rachel: Just so you know... With us... it's never off the table. (she enters her room and closes the door.)
[Scene: The movie set. Monica and Rachel are saying goodbye to Jean-Claude]
Ross: Oh, on a date. Yeah, I met this girl on the train going to a museum upstate.
Chandler: Look, I'm sorry I didn't give them your tape. And I promise, next time to submit you whether I think you are right for the part or not.
(Ross enters and he's really angry. He goes towards Chandler who's sitting at the counter)
Mr. Geller: We have it. Only now, we call it the beach house.
Roy: Didn't do anything? I took a bus all the way from Hoboken. I climbed ... I dunno... like a billion stairs... It's not like I can take them two at a time!
[Scene: Dr. Longs Office, Ross and Rachel are waiting for the doctor. Ross is drumming his fingers on the bed.]
Ross: Oh, well you see how it works is, the part with Dick Clark in Times Square is actually live, but they tape some of the party stuff ahead of time. Yeah, not a lot of people know that.
Airline Employee: (grabbing the ticket from him) Sir, this is not a first class ticket. Im sorry.
Joey: Hey-hey, youre startin to sound like the butchers wife there in-in chapter seven.
(Joey is now looking at Rachel, and since Rachels standing and hes sitting down and hes not looking at her face You get the picture.)
[Scene: The playground. Ross put Emma on the swing and they’re ready to play]
Monica: Im gonna go across the hall to check on the yams.
Chandler: Totally crazy stupid. (He nods his head at the people seated.)
[Scene: Central Perk, the gangs putting their coats on to leave.]
Joey: Hey, want a beer? (Hands him a beer and sits down in one of the chairs.) (Jumping up.) WHOA!!!!
[Scene: Library. Phoebe is getting ready to sing for the kids. Chandler, Monica, and Rachel are there.]
Ross: Youre weird today. (He turns to Rachel and Joey puts the ring back.) (To Rachel) Listen I uh, wanted to talk to you about something.
Rachel: I did but she doesnt think anyone would be stupid enough to confuse Kenny the copy guy with Ralph Lauren.
[Scene: Monica and Rachel's, Ross, Chandler, and the girls are dividing some Chinese takeout, while the sitcom Family Matters is playing on the TV.]
(While they are both pushing the painting towards each other, Phoebe enters)
[Another series of flashbacks begins with Episode 413: The One With Rachels Crush, Joey is telling Rachel and Phoebe how he picks up women.]
Joey: Okay, its an audio question, name this television theme song. (Starts humming the theme to I Dream of Genie.)
Rachel: Ugh, it was horrible! And-and the interview part went so well, y'know? I even made him laugh. He said something about a boat and I was like, "Well, yeah! If you've got enough life jackets!" (She starts laughing; Chandler and Joey are not amused.) Trust me, it was actually, it was very funny. Anyway, so we were saying good-bye and ugh!
Gert: Dancing on your feet! Like the other girls did it.
Past Life Phoebe: More bandages! More bandages! Please, can I get some more bandages in here! This man is dying(She is cut off by an exploding shell just outside the tent. When the smoke clears, she's missing an arm and the blood is pumping out like you'd see in a horror movie. And upon seeing her condition, she says ) Oh no.
Joey: Whoa, hey, maybe I'll go down there with ya and see if I can get an audition to play the dad. I mean who better to play Ben's father than his godfather.
Rachel: Uh, Im just, Im just looking out your window. At-at the view. What are you guys doing?
[Scene, Monica and Rachel's, the next morning, Ross is checking his messages.]
Joey: What? No, no, no! No, no... no... no, no... No, too much is changing, okay? First, Phoebe getting married (to Phoebe) Congratulations! (pointing to Monica and Chandler)... and then these two move into a stupid house in the stupid suburbs...
(Joey turns to leave but stops at the door.)
Joey: I don't know, but one of the extras sure did! (pause) Hey, listen Rach. Thanks again for coming down to watch my scenes!
Chandler: Coffee in a fight! (Does the laugh again.)
Pete: Come on, you gotta admit that our relationship is ah, is hitting a new level now. Cause you used to be like the chef, and I was the customer, and now were like this-this couple that fights.
[The gang is walking to a newsstand late at night. Joey is anxiously in the lead.]
Rachel: (breaking the hug) Oh, hey, dont you have to go pick up Emily?
CHANDLER: Well what's the difference? Your eggs aren't here anymore, are they? You took your eggs and you left. You really expect me to never find new eggs?
Monica: Hey! Mrs. Altman was the kind of woman you could tell she used to be pretty.
Paul: (standing in front of a mirror and to himself) Just relax. Just relax Paul, youre doing great. (Ross moves a piece of luggage over so he can watch Paul.) She likes you. She Maybe, she likes you. She likes you. Yknow why? Because youre a (pause) neat guy. (Ross cant believe what hes hearing.) You are the man. You are (pause) the man! (He opens his shirt and looks at his chest.) I still got it. Nice and sexy. Youre just a love machine. (Starts singing) Im just a love machine and I wont work for nobody but you! Hey bab-y! (Flexes and grunts loudly.) Showtime. (Starts to leave and starts singing.) Im just a love machine, yeah ba-by! (Grunts again and Ross is stunned.)
Joanne: Look at you in the apron. You look like you're in a play.
(Ross drags Joey into the hall and slams the door)
Phoebe: (seeing the look on Chandler's face) He-he does not like it! He hates it! He's in pain!
[Scene: Monica and Chandler's, Rachels baby shower is underway. Monica and Phoebe are working in the kitchen.]
Monica: Okay, what if the person who adopts the other one is horrible?
[Scene: Monica and Rachel's, its 0-Dark:30, in other words its really, really early. Everyones asleep, and all through the apartments not a creature was stirring, not even a mouse. That is except for the chick, who turns out to be a rooster and is crowing in the sun. Needless to say, this awakens Monica and Rachel who rush into their living room, searching for the cause of the sound.]
Krista: Here, I'll get it. (She grabs a napkin and tries to wipe it up. The thing that gets the rest of the gang going is that she's whipping awfully close to his crotch. In fact, she is whipping his crotch. Chandler's about to come out of his chair.)
Joey: How are ya? How are ya? Where are your babysitters, huh? Why's the bedroom door closed?
[Scene: Richards bedroom, Monica has covered it in rose pedals and candles. We hear Richard come in to the apartment, and Monica frantically throws the rest of the pedals on the bed, and jumps onto the bed and puts a rose in her mouth, and bites a thorn.]
Monica: What the hell is that dog doing here?! (She notices the dog sitting in the living room.)
Joey: All right, all right, all right, all right, all right, you really wanna know how I did it, Ill show ya. When you handed me back the card, what you didnt see was, I looked at it so fast that it was invisible to the naked eye. (picks up a card and quickly looks at it) I just did it. (does it again) I just did it, again. Here, Ill slow it down so that you guys can see it. (looks and the card in slow motion)
Ross: I'm taking my time, alright? I'm laying the groundwork. Yeah. I mean, every day I get just a little bit closer to...
[Scene: The Theatre, at the post premiere party. The gang is already there, except Phoebe. Joey runs in.]
The Security Guard: Come on, lady! (Starts to escort her out.)
Ross: Okay, Phoebe just-just get-get on the bike andHey! Ill hold you up and-and push you. Okay?
[they kiss and Ross backs her into her apartment and turns on the lights]
[Scene: It's an old home movie of the Geller's backyard, young Ross is dressed up as Bea, and pouring himself/herself some tea.]
(An 80's Rachel and fat Monica walk into the party room. Both with funny hair-do's and clothes)
[Scene: The Banquet Room, Ross is taking a picture of a plant, Chandler a fork. The band stops.]
ROSS: Uh, just a sec dad. [to himself] OK, be cool, just be cool. [walks down the stairs and grabs the flowers out of the vase on the endtable] OK dad.
Monica: Alright, I'm gonna go pick up a few things for the trip.
Chandler: Aside from adoption the only other choice is insemination, so... we're talking about sperm donors.
Ross: Guess who's up for keynote speaker at the National Paleontology Conference?
Ross: Anyway, she thought the very idea of me playing rugby with him was like hilarious. So Im gonna show her how tough I really am!
(Surprised, uttering Ahhs and Ohhs, the others are coming over to him.)
[Cut to the hallway, Chandler is putting tape on the bottom of his shoes.]
(He shows them a beautiful banner he has made. It reads, "Welcome to the World, Baby Bing.")
Joey: So I just talked to one of the DOOL writers today, and
Felicity: Mmm. (She pushes him up against the wall and they begin to kiss.)
Chandler: (after they've left) Okay, did you see that?! With the inappropriate and the pinching!!
Joey: (entering from his room) All right! Everybody ready to go to the movies?
Joey: Oo...what's in the bag?
Chandler: Well, I think I judged her too quickly, and this time we were able to take the relationship to the next level.
Monica: Okay, forget the specials for a minute. Umm, all right heres the thing, for the last two weeks I have umm, (quietly) tried really hard to create a positive atmosphere
PHOEBE: It was an accident, and, and the woman who did this would never ever hurt a dog on purpose. She's a vegetarian.
Ross: I wasnt farting! (To Mona) Uh, a little game from our table. (To the little girl) Yes?
Chandler: Oh-ho, liked what she saw, huh? Dug my action, did she? Checkin out the Chan-Chan man!
(He then straightens himself, and looks at the torte)
[Scene: Joey and Rachel's, Joey and Phoebe are moving chess pieces around on the board and hitting the timer at random.]
Joey: (upset) Will the stable boy never get the princess??
Joey: About a month ago this guy spent the night with Rachel, I didnt see who it was but (He walks out and closes the door.)
Joey: You should see the treatment I get when Im with that car! People are friendly; they-they wanna talk, and not just about the car! One guy gave me advice about my equity investments.
Ross: Oh yeah its fine. I guess the more muscles you have the more they can spasim out of control.
(Ursula picks up a fork and begins eating the meat, while Phoebe removes a present from her bag.)
Rachel: Well, you know what? This is great. Finally, I have someone I can pass on my wisdom too. Let me tell you about a couple of things I learned while working at the coffeehouse. First of all, the customer is always right. (Joey nods.) A smile goes a long way. (Joey smiles) And if anyone is ever rude to you? Sneeze muffin.
[Scene: Central Perk, time lapse from the earlier scene.]
Rachel: Okay, I think we can get the evaluation back before they see it, but were gonna have to get into Mr. Zelners office. Now, he doesnt get in until 10, so hes no problem, but his assistant, Betty, she comes in early to eat her breakfast at her desk.
[Scene: The Moondance Diner, Pete is entering, Monica is on roller skates.]
Joey: Oh, wait-wait! (Reaches into the shower again.) Maybe its a pickle?!
The Singing Man: (singing, duh) Mornings here! Sunshine is here! The sky is clear, the mornings here! The mornings here!