words in movies
Roger: It's textbook.
Mr. Tribbiani: Gotta go. I miss you too, I love you, but it's getting real late now
Mr. Tribbiani: No, it's only been six years. I just wanted to put a nice memory in your head so you'd know that I wasn't always such a terrible guy. ...Joe. Y'ever been in love?
Mr. Tribbiani: Joe, your dad's in love big time. And the worst part of it is, it's with two different women.
Joey: It's like if you woke up one day and found out your dad was leading this double life. He's like actually some spy, working for the C.I.A. (Considers) That'd be cool.... This blows!
Phoebe: (Intercom) It's Phoebe.
Chandler: Oh, it's nothing, it's a little thing... I hate that guy.
Roger: Well, I don't know. I mean, it's conceivable that you wanted to sabotage your marriage so that the sibling would feel less of a failure in the eyes of the parents.
Chandler: Oh look, it's the woman we ordered.
Chandler: C'mon, I'll show you to my room. ...That sounds so weird when it's not followed by "No thanks, it's late."
Rachel: Perfect. Fasten your seatbelts, it's peepee time. (She goes into Joey and Chandler's apartment, where Mr. Tribbiani is reading the paper) Hey, Mr. Trib.
Rachel: Chandler Bing? It's time to see your thing.
(She opens the door and whips back the curtain. It's Joey. They both scream)
Monica: Nothing, um, it's just, um... It's Roger.
Phoebe: Uh-huh. Okay. Okay, don't you think, maybe, though, it's just that he's so perceptive that it freaks you out?
Mrs. Tribbiani: Do you remember how your father used to be? Always yelling, always yelling nothing made him happy, nothing made him happy, not that wood shop, not those stupid little ships in the bottle, nothing. Now he's happy! I mean, it's nice, he has a hobby.
Mrs. Tribbiani: Me? I'm fine. Look, honey, in an ideal world, there'd be no her, and your father would look like Sting. And I'll tell you something else. Ever since that poodle-stuffer came along, he's been so ashamed of himself that he's been more attentive, he's been more loving... I mean, it's like every day's our anniversary.
Phoebe: It's, I mean, it's nothing, I'm fine. It's my friends. They-they have a liking problem with you. In that, um, they don't.
Roger: Actually it's, it's quite, y'know, typical behaviour when you have this kind of dysfunctional group dynamic. Y'know, this kind of co-dependant, emotionally stunted, sitting in your stupid coffee house with your stupid big cups which, I'm sorry, might as well have nipples on them, and you're like all 'Oh, define me! Define me! Love me, I need love!'.
Joey: Yeah, I guess. It's just parents, after a certain point, you gotta let go. Even if you know better, you've gotta let them make their own mistakes.
Phoebe: I don't know, I mean, he's a good person, and he can be really sweet, and in some ways I think he is so right for me, it's just... I hate that guy!
Mrs. Geller: Do you know what it's like to grow up with someone who is critical of every single thing you say?
Rachel: Yeah, well, it's a Mercedes if I move back home. Oh, it was horrible. He called me young lady.
Phoebe: Well, it was an accident...You know, it's a lot of oil and sometimes the hand just slips!
Ross: It's breast milk.
Phoebe: Not even if you just pretend that it's milk?
Joey: Look, I can sense when women are depressed and vulnerable. It's one of my gifts.
Joey: Yeah, it's kinda sweet, sorta like, uh...
Ross: Because it's breast milk. It's gross.
Monica: Uh, so, uh, Rach, uh... do you wanna save this wrapping paper, I mean, it's only a little bit torn... so are you gonna go for it with Ross or should I just throw it out?
Chandler: Well, maybe it's because of the way you're dressed.
Ross: (to Charlie) So, eh... it's probably gonna be hard for you to leave Boston, huh?
Monica: It's that terrible?
Phoebe: (reading the nametag on the uniform) Hi, I'm Ben. I'm hospital worker Ben. It's Ben... to the rescue!
Monica: Yeah, uh, it's actually not that big a deal.
RACH: And ya know what, now I've got closure. [Rachel slams the door and locks it. She sits down, visibly upset. She puts her head in her hands and begins to cry. Ross comes back and is standing outside the window. When Rachel regroups and gets back up to finish closing, she sees him. She smiles. She goes to open the door and can't get the lock undone.] ROSS: Try the bottom one. [She opens the door and they kiss.] [Scene: Chandler and Joey's apartment. Chandler answers the door to find Monica.] CLOSING CREDITS CHAN: Monica, it's 6:30 in the morning. We're not working out, it's over. MNCA: No way, with one pound to go, c'mon. We're workin', we're movin', we're in the zone we're groovin'. CHAN: OK, I don't, I don't mind the last pound. OK, in fact I kind of like the last pound. OK, so don't make me do anything that I'll regret. MNCA: Ooh, what'cha gonna do, fat boy, huh? What? CHAN: Nothing, except tell you, uh, I think it's wonderful how much energy you have. MNCA: Well, thanks. CHAN: I mean, especially considering how tough it's been for you to find work. MNCA: Well, you know. CHAN: You know, I mean, you can't tell your parents you were fired because they'd be disappointed. MNCA: [sad] Uh-huh. CHAN: And it's not as if you have a boyfriend's shoulder to cry on. MNCA: Well no, but um. CHAN: I mean, if it were me, I think I'd have difficulty just getting out of bed at all. MNCA: Y'know, I try to stay positive. . . CHAN: So, you feel like goin' for a run? MNCA: Alright. CHAN: Because, you know, you don't have to. If you want, you could just take a nap right here. MNCA: OK. Just for a little while. CHAN: OK. [Puts an afghan over her and dances into his room]
Phoebe: Yeah, but, y'know, it's... it would be like starting on the fifteenth date.
Woman: Oh, I'm sorry, is that your basket? It's really pretty. Unfortunately, I don't see suds.
CHANDLER: (on phone) Hi, it's me.
JANICE: Hey, it's everybody.
Chandler: And you're thinking of taking it? (Pause) So before you said being me with me was more important than any job, but I guess now it's old job, (Raises his hand) me, (Raises his hand) new job.
ROSS: It's the only possibility, Phoebe.
Phoebe: Really? So this is... this is my big send off in the married life? Rachel this is the only bachelorette party I'm ever gonna have! I've got a big wad of ones in my purse! Really? I mean, really? It's just tea?
RACHEL: It's really not that big!
Phoebe: It's too soon to tell. She's resting, which is a good sign.
ROSS: It's just, it's, it's me. You, you know I've only been with one woman my whole life and she turned out to be a lesbian. So now I've got myself all psyched out, you know, and it's become, like this, this thing and I. . . Well, you just must think I'm weird.
RACHEL: I think it's sexy.
Rachel: It's my father. He wants to give me a Mercedes convertible.
CHANDLER: What's this in my pocket? Why it's Joey's porno movie.
Chandler: It's a beautiful thing.
Ross: It's a big deal to me. This is great, Monica. I really appreciate this.
Dr. Franzblau: No, no, really. I suppose it's because I spend so much time, you know, where I do.
RACHEL: So, it's pretty late, you're probably uh, not still planning on. . .
Rachel: Well, it's a little low... pick up a little... (Ross picks it up) a little bit more... (he picks it up again) a little bit more... (he takes it off) There you go! (pause) Now throw it away!
ROSS: What, it's not your fault.
JOEY: It's like, you got so many lines to learn so fast, that sometimes you need a minute to remember your next one. So while you're thinkin' of it, you take this big pause where you look all intense, you know, like this.
CHANDLER: But it's Ross.
PHOEBE: It's Ross.
Monica: Come on guys! Suck it up! We're closing in on ten hours! It's gut-check time!
PHOEBE: Oh, it's like a skit.
MONICA: It's on us, all right, so don't worry. It's our treat.
Mike: And that's how it's done! (Phoebe kisses him)
(Hayley laughs and goes into the kitchen thinking it's a joke, Joey doesn't see what's so funny about it)
CHANDLER: Look guys, I know it's a little steep.
MONICA: It's work.
Monica: STOP IT!! ...Oh my God. It's true! Who am I?
Monica: Okay. (in her microphone) It's zero hour. All teams execute on my count. (to all) Let's get this bad boy on the road.
Carol: Ross, you're being silly. I've tried it, it's no big deal. Just taste it. (Holding out a bottle.)
Chandler: It's just that I'm sick of being a victim of this Dick Clark holiday. I say this year, no dates, we make a pact. Just the six of us- dinner.
MONICA: Why, it's dinner for six. 5 steaks, and an eggplant for Phoebe.
Chandler: Yeah, I think for us, kissing is pretty much like an opening act, y'know? I mean it's like the stand-up comedian you have to sit through before Pink Floyd comes out.
TOGETHER: Smelly Cat, Smelly Cat, what are they feeding you? Smelly Cat, Smelly Cat, it's not your fault.
Jill: Chandler, we've been here for an hour doing this! Now watch, it's easy.
Ross: All right, all right, it's just that you left a red sock in with all your whites, and now, everything's kinda pink.
MICH: Well, you know, there's no one way really, it's just, you know, whatever it takes so that you can finally say to him, "I'm over you."
Rachel: All right. All right, all right, all right, all right, I know it's stupid! I will go see him this afternoon, and I will just put an end to it!
PHOEBE: Ok, look, before you even start, I'm not denying evolution, ok, I'm just saying that it's one of the possibilities.
ROSS: I, I don't know, it's got all this stuff about wind and trees and there's some kind of sacred pool in it. I mean, I don't really get it but she's, she's pretty upset about it.
ROSS: No, no, uh, it's not what you think. It's um the other thing.
ROSS: Really. It's always been you, Rach.
JOEY: 'Cause it's always somethin', you know, like Monica's new job, or the whole Ross's birthday hoopla.
CHANDLER: Uh-Oh. It's Isaac Newton, and he's pissed.
Ross: I know, I know I was, but there was always this little voice inside that kept saying it's never gonna happen, move on. You know whose voice that was?
Joey: But no, it's not close. You said it was in escrow? I couldn't even find it on the map.
Ross: Oh my God. It's like Sophie's Choice.
RACHEL: Well, from me. And I know it's not your big money song, but it's my favorite.
Joey: Ok, Caravaggio uses chiaroscuro here to highlight the anguish of the central figure. Touch it, it's really bumpy! (Reaches out to touch the imaginary painting).
Monica: Well, my breasts are going to get bigger weather you like it or not! And you know what? It's not just my breasts. My ass is going to get bigger too.
Phoebe: (In a strange heavy accent) Hello "ja", it's time for your massage, ja! Put your face in the hole.
JOEY: No, no, no, it.. it's too hard. It's not worth it. I quit.
ROSS: Look it's the artist formerly known as Chandler.
MNCA: It's Fun Bobby.
PHOEBE: What is this obsessive need you have to make everyone agree with you? No, what's that all about? I think, I think maybe it's time you put Ross under the microscope.
RICHARD: It's the basketball playoffs.
PHOE: It's not that bad.
PHOEBE: No, no, no. I'm sorry. It's "smelly cat, smel-ly cat".
Joey: Right. Thanks. It's June. I'm outta here. (Exits.)
David: Uh, that's definitely a, uh, valid question. And, uh, the answer would be (Writes YES on the board) yes. Yes I was. But, see, I wanted it to be this phenomenal kiss that happened at this phenomenal moment, because, well, 'cause it's you.
PHOE: Ok, um, hi, hello, hi, ok, so, um, this is a song about a love triangle between three people that I made up. Um, it's called, um, "Two of Them Kissed Last Night".
Ross: What, it's gonna be Helen Willick?
Monica: So great! He showed me where the restaurant's going to be. It's this, it's this cute little place on 10th Street. Not too big, not too small. Just right.
MR. HECKLES: You're stomping. It's disturbing my birds.
MRS GREEN: Sweetie! So this is where you work? Oh, it's wonderful! Is it a living room? Is it a restaurant? Who can tell? But I guess that's the fun.
MONICA: Why? It's not like I'm putting little nipples on them.
Phoebe: Yeah- no- I'm just- it's, I haven't worked- It's my bank.
ROSS: It's alright, it's no big deal.
Ross: Not that it's any of your business, but we did go out.
Monica: Hi, uh, Richard it's Monica, um, listen I did something kind of crazy tonight, um, maybe I'm getting my period or something, I don't know. Um, anyway, I, I, I beeped into your machine and I heard a message that, that freaked me out, and um, you know what Michelle will tell you the rest. I, I, um, I'm sorry, okay, I, I hope that we can forget the whole thing. Okay, bye.
PHOE: Why Scott doesn't want to sleep with me. It's 'cause I'm not sexy enough.
ROSS: It's ok. I'm sorry.
ERICA: It's me.
ERICA: It's Erica.
ERICA: Never mind, it's open.
Joey: All right! Man, this is unbelievable! I mean, it's great, but
Ross: Hey! Wha-hoo! What's this? (showing the bottle) Well it's a, it's a bottle of champagne. Why is this here?
Ross: It's morphin time!
Phoebe: (excited) Wow! It's huge! It's so much bigger than the cubicle. Oh, this is a cube.
RACHEL: No, no, no, no I don't think it's weird, I think, I think umm, in fact, in fact you know what I think?
Joey: (takes phone) Hi, yeah, it's me. (Listens) Oh, no no no, we're just friends. (Listens) Yeah, I'm single. (Listens) 25. (Listens) An actor. (Listens) Hello?
JANITOR: It's about your monkey. It's alive.
Chandler: Well, my secretary is gonna be out for a couple of weeks. She is having one of her boobs redused. (Ross looks at her.) It's a whole big boob story.