words in movies
[Scene: Monica and Rachel's apartment. Everyone is sitting at the couches, Chandler enters.]
CHAN: OK, what is it about me? Do I not look fun enough? Is there something. . . repellant. . . about me?
CHAN: Well it couldn't have been worse. A woman literally passed through me. OK, so what is it, am I hideously unattractive?
[Scene: Hallway between the apartments. Chandler comes out wearing spandex, jogging in place. Monica is there.]
[Cut to the city street. Monica and Chandler are jogging. Chandler is lagging behind so he hops in a cab and takes off, leaving Monica behind]
[Scene: Back in Chandler and Joey's apartment. Chandler is doing situps.]
[Scene: Central Perk. Chandler and Joey are sitting on the couch. Rachel is working.]
CHAN: [slowly lifts coffee cup to his mouth] Ow, ow, ow, ow, ow, ow, ow. [slowly sets the cup back down] Ow, ow, ow, ow, ow. [Joey intercepts the cup and puts it down for him]. She's insane, the woman is insane. It's before work, it's after work, it's during work. She's got me doing butt clenches at my desk. And now, they won't bring me my mail anymore.
[Scene: A nice restraunt. Rachel is on her date with Michael (MICH).]
MICH: I don't know if Monica told you but this is the first date I've gone on since my divorce so, if I seem a little nervous, I am.
RACH: Oh, no, Michael, it's not you. I'm sorry, it's just, it's this thing. It's probably not as bad as it sounds but this friend of mine is, is getting a cat with his girlfriend.
MICH: Is this guy, uhh, an old boyfriend?
JOEY: Phoebs look, if you want to know what the deal is, you're just gonna have to ask him.
RACH: Oh, look at me, look at me. Oh, I'm on a date with a really great guy, all I can think about is Ross and his cat and his... Julie. I just want to get over him. gosh, why can't I do that?
RACH: Yeah! Closure. That's what it is, that's what I need. God, you're brilliant! Why didn't I think of that? How do I get that?
RACH: Closure, that's what it is. Closure. [she looks around the restaurant, spotting a guy with a cellular phone] Hello, excuse me. Excuse me, hel. . . woo [she almost falls out of her chair]
RACH: I can see that. I... just one phone call, I'll be very quick, I'll even pay for it myself. [man is still reluctant] OK, you're bein' a little weird about your phone.
RACHEL: [on phone] Ross, hi, it's Rachel. I'm just calling to say that um, everything's fine and I'm really happy for you and your cat who, by the way, I think you should name Michael. And, you know, ya see there I'm thinking of names so obviously, I am over you. I am over you and that, my friend, is what they call closure. [hangs up and tosses phone in the ice bucket]
[Scene: Chandler and Joey's apartment. Chandler is answering the door in his robe.] CHAN: No, no, no, no, no, no [opens door to Monica] No. Monica, it's Sunday morning. I'm not running on a Sunday. MNCA: Why not? CHAN: Because it's Sunday. It's God's day. MNCA: OK, if you say stop, then we stop. CHAN: OK, stop. MNCA: No, c'mon, we can't stop, c'mon, we've got three more pounds to go. I am the energy train and you are on board. Woo-woo, woo-woo, woo-woo [Chandler walks out of the apartment, leaving Monica] Woo. [Scene: Rachel and Monica's apartment. Rachel is taking asprin. Ross enters.] ROSS: Hey Rach. RACH: Ahhhh. ROSS: Oh. And how was the date? RACH: Umm, I think there was a restaurant... I know there was wine. . . [Rachel looks at Ross as though she remembers something, but can't place what it is.]
[Scene: Chandler and Joey's apartment. Joey is watching a rabbi play an electric guitar on TV. Phoebe enters.]
PHOE: He said that, um, he understands how sex can be like, a very emotional thing for a woman and he was just afraid that I was gonna get all, y'know, like, 'ohh, is he gonna call me the next day' and, y'know, 'where is this going' and, ya know, blah-la-la-la-la. So he said he wanted to hold off until he was prepared to be really serious.
JOEY: This man is my God.
[Scene: Central Perk. Rachel is closing up and Ross comes in. Get your Kleenex.]
ROSS: The point is I... I don't need this right now, OK. It, it's too late, I'm with somebody else, I'm happy. This ship has sailed.
RACH: And ya know what, now I've got closure. [Rachel slams the door and locks it. She sits down, visibly upset. She puts her head in her hands and begins to cry. Ross comes back and is standing outside the window. When Rachel regroups and gets back up to finish closing, she sees him. She smiles. She goes to open the door and can't get the lock undone.] ROSS: Try the bottom one. [She opens the door and they kiss.] [Scene: Chandler and Joey's apartment. Chandler answers the door to find Monica.] CLOSING CREDITS CHAN: Monica, it's 6:30 in the morning. We're not working out, it's over. MNCA: No way, with one pound to go, c'mon. We're workin', we're movin', we're in the zone we're groovin'. CHAN: OK, I don't, I don't mind the last pound. OK, in fact I kind of like the last pound. OK, so don't make me do anything that I'll regret. MNCA: Ooh, what'cha gonna do, fat boy, huh? What? CHAN: Nothing, except tell you, uh, I think it's wonderful how much energy you have. MNCA: Well, thanks. CHAN: I mean, especially considering how tough it's been for you to find work. MNCA: Well, you know. CHAN: You know, I mean, you can't tell your parents you were fired because they'd be disappointed. MNCA: [sad] Uh-huh. CHAN: And it's not as if you have a boyfriend's shoulder to cry on. MNCA: Well no, but um. CHAN: I mean, if it were me, I think I'd have difficulty just getting out of bed at all. MNCA: Y'know, I try to stay positive. . . CHAN: So, you feel like goin' for a run? MNCA: Alright. CHAN: Because, you know, you don't have to. If you want, you could just take a nap right here. MNCA: OK. Just for a little while. CHAN: OK. [Puts an afghan over her and dances into his room]
Rachel: (to Monica) I still can't believe you invited Gavin. Allright, he is the last person I want to see.
PA: This is the final boarding call for flight 67 to San Diego, boarding at gate 42A.
PHOEBE: Sure, oh, is, is Frank home.
Monica: Well you know it's just like living with a girl. Only they don't steal your makeup. Unless they're playing "This is what my sister would look like" (Looks at Chandler)
[Scene: Joey's apartment. The next script is being delivered.]
Young Ethan: Well, think about it. It's always on the news. 'A man is being held up, at gunpoint.' 'Tourists are being terrorised, at gunpoint.' And I just kept thinking: why does people continue to go there? (He checks his watch.) Oh, ah. I should go.
[Scene: Estelle Leonard Talent Agency.Joey is there.]
Phoebe: Oh no, it is forbidden! No-no, Mrs. Potter fires people for fooling around with clients. And its against my oath as a masseuse.
Emily: I uh, Ive been to his apartment and he wasnt there, and uh. I need to talk to him, so do you have any idea where he is?
Emily: I still cant believe theyre tearing it down. It really is the most lovely building youll ever see. I mean its over (She stops suddenly, when she sees that demolition has already started.) Oh my God!
Phoebe: Okay, this is where you and I part ways. (She drops the blanket into the chute.) Noisy bitch!
[Joey is staring at Monica's breasts]
[Scene: Monica and Chandler's apartment. They're done and come out of their bedroom. Emma is still gone.]
Phoebe: A-ha! And... what is bluffing? Is it not another word for... lying?
[Scene: Monica, Chandler, and Phoebe's, Monica and Chandler are returning to find Ross is there waiting for them.]
CHANDLER: This isn't your first surprise party, is it sir?
MR. TREEGER: [to Rachel who is standing under mistletoe] So, uh, is this, uh, mistletoe?
JOEY: Right this is staging.
Chandler: That is funny. It was also funny when I made it up.
[Scene: Monica and Rachel's, one week later. Monica is seated, Rachel comes out of her bedroom.]
[Scene: Museum of Natural History. Ross enters the display where Rachel is waiting.]
[Scene: Monica and Chandlers new apartment, Chandler is putting something away under the sink.]
[Scene: Central Perk, Joey is putting jam on his muffin, lots of jam]
[Scene: Monica, Chandler, and Phoebe's, time lapse, Chandler is fully dressed and slowly walking out of the bedroom with a distressed look on his face.]
Phoebe: (Monica is yanking on her bra strap) Bras! We bought bras! We bought bras.
Erica: Uh-huh! I think it's time to kick you in the nuts and see which is worse!
MR. GREENE: Thank you. Is that one of my cigarettes?
MONICA: Money is so impersonal. Cookies says someone really cares. . . Alright, we're broke, but cookies do say that.
Chandler: Wow, this is serious. Ive never known you to pay money for any kind of capade.
[Scene: The hallway after the party. Rachel is sitting there.]
Carol: I cant speak for Emily, but Susan is in a loving, committed relationship.
[Scene: Monica's party. She is seeing off the last of the guests.]
Rachel: Oh, that is so sweet. I think Im falling in love with you all over again.
[Cut to a hospital room set on the Days of Our Lives stage. Two nurses are standing next to a bed with a man whose face is completely covered in bandages and reading his chart.]
(Helens buzzer is heard on the intercom, so Chandler presses his button, too.)
[Chandler is visibly upset]
[Scene: Joey's apartment. Joey is watching movers take all his stuff away.]
MONICA: Wow, all you need now is The Killing Fields and some guacamole and you've got yourself a part-ay.
GRANDMOTHER: Anyway, that's all I know. That, and this. [pulls apart a frame and pulls a picture out] This is the real him.
Monica: I might've said that. (Chandler laughs.) Why is that funny?
Monica: Okay? (To a different group) Over here we have pink suede, which is nice. But umm, if it gets wet then you know its gonna shrink.
Cop: (following her) Hey by the way, I'm sure Sipowicz is gonna be all right. I heard that kid from Silver Spoons is really good. (Phoebe's stunned) And where did you find my badge?
Mackenzie: This is what my mom was talking about. Whiners are wieners. (Joey glares at her angrily) Look, you want your friends to be happy, right?
[Scene: Chandler's office. Joey is there.]
[Ad break. Time lapse. Still at party at Chandler and Joey's. Rachel is talking to Chandler and Ross.]
[The next one is from Episode 712: The One Where Theyre Up All Night, Joey and Ross are deciding how to climb down the final part of the fire escape.]
PHOEBE: No. This is what I do for luck, ok.
[Scene: Hotel's bar. Ross is running to Charlie trying not to be seen with two cocktails in his hands. She's hidden behind a huge plant]
Chandler: (slides the juice across the counter which Joey catches) What do you care? You're an actor. This is your day job. This isn't supposed to mean anything to you.
Phoebe: Well, yeah, because I have to break up with someone, and Okay so Jason is sensitive, (holds up one finger) but now sos Vince (holds up one finger on her other hand) Plus, Vince has the body y'know? (holds up two more fingers on the Vince side) So Its really just about the math.
RICHARD: If it's not a right angle, it is a wrong angle.
RICHARD: No that's not true. That is not true.
Molly: There is a man behind your curtain. I have a mace in my purse.
Ross: This is perfect! She'll have to come back here with your pizza, and when she does, I'll turn on the Charm-O-Ross. Oh I'm so glad you don't eat meat.
Rachel: Your fly is open, Geller. (he checks it, and zips up)
JOEY: Hey. Mr. Douglas is looking for you.
ROSS: Doctor Burke is sexy?
[Scene: Monica and Rachel's, erm, Chandler and Joey's, Joey is debriefing Rachel on her rejection earlier that day and telling her what she shouldve done. Ross and Phoebe are watching.]
[Scene: Chandler and Joey's apartment. Joey is making marinara sauce and filling every container in sight. Chandler enters.]
ROSS: Is this what you had in mind?
Ross: (He notices something through the window.) No! No! Wh What are you doing?!! (Dr. Ledbetter is slowly backing away.) GET OFF MY SISTER!!!!!!!!!!!!!
[Scene: Central Perk. Joey, Phoebe, Monica, and Chandler are there; Chandler is showing everyone his new computer.]
[Scene: Monica and Rachel's apartment. Ryan is walks up to the door and knocks.]
JOEY: You see this, this is a friend.
JOEY: Then I don't know what it is. What's the problem?
Chandler: Nothing, just a little extra air in my mouth. Pffft. Pffffffft. (walks over to where Joey is seated)
(She exits, and after the door is closed, Chandler turns to Joey and )
CHANDLER: Why? Wh- wh- why is Mr. Douglas looking for me?
Joey: Okay, buddy-boy. Here it is. You hide my clothes, I'm wearing everything you own.
[Scene: The Emergency Room, Ross is still going on about his first night with Carol.]
PHOEBE: We were just wondering if Chandler's girlfriend is a girl.
[Scene: Ross's apartment, Cassie is eating dinner and Ross is pacing behind her because of what shes eating.]
Joey: Okay, uh Pheebs, quick. Look! This (His video camera) is for the babies to look at someday, so is-is there anything you want to say? Y'know before it all starts?
[Ross looks up as if saying that Joey was weird. He begins flipping through the pages, only to find that they are sticky. So one page is overlapping another, making two recipes look like one.]
Rachel: All right look lady here is the deal, I came here for an annulment and I am not leaving here until I get one!
Joey: (to himself) Man, this is a long drive! Are my eyes open? No! (He opens his eyes and sees a hitchhiker.)
RACHEL: Okay, now that is the third time someone has said something like that to me today.
Rachel: Look, If I dont get to London!! He is going to marry that other girl!!!
RACHEL: Oh my God this is sooo humiliating. I think the only thing that tops that was, was, was when I was in the eight grade and I had to sing the Copa Cabana in front of the entire school. I think I got about two lines into it before I ran and freaked out. Oh my God, my entire life is flashing before my eyes.
CHANDLER: Yeah, this more than anything else, is the staging area.
Joey: Hey! Uh, this is just to give you an idea. Okay well, we can put screens here, (In front of the crib.) so that the baby has privacy, and-and-and maybe a mobile over the crib. And uhOh look! Heres a baby monitor (Holds it up), which until the baby comes we can use as walkie-talkies. Huh?
[Scene: Chandler and Joey's, Phoebe, Chandler, and Joey are there, Joey is on the phone.]
CHANDLER: Alright, that's it. Look Joey, I'm sorry, I realize this is the role of a lifetime for ya, and if I could just fire Joseph, I would, but unfortunately that's not possible so I'm gonna have to let both of you go.
Joey: I thought I did! Oh hey guess what? The premiere is next week and youre all invited! (They all gasp.)
RACHEL: No, see this isn't about the movie theatre, this is about you stealing my wind.
JOEY: Yep, this kiss thing is defiantly a problem, Mr. Beatty wants to see it again on Monday. Man, I gotta figure out what I'm doing wrong. Oh, okay, one of you girls come over here and kiss me.
Chandler: There is not one hair on that head.
PHOEBE: Everything you've heard is true.
RICHARD: If kids is what I takes to be with you then kids it is.
Phoebe: You guys make a very attractive couple. (The camera cuts to a shot of the picture and we see that Monica is posing with Joey instead of Chandler.)
Joey: Why wouldnt ya? Erin is great! Then-then theres you guys.
Phoebe: Good. It's just so hard, it's hard for me to ... let them go. I guess it just brings back memories, you know, from ... when I gave birth to my brother's triplets and I had to give them up. (Mike is shocked) I haven't told you about that yet, have I?
[Scene Central Perk, the whole gang is entering]
Rachel: Nooo Way! The most romantic song ever is The Way We Were.
Phoebe: Well my guy is spectacular. Okay? Hes a massage client and one time umm, when he was on the table, I looked at it. And I mean all of it.
Joey: This is Janice.
[Scene: Rachel and Monica's, Monica is entering from the bathroom.]
Monica: God, what is wrong with me.
Monica: Ross this is the only thing left that has a shot at working.
Joey: Cute! This is Janice! You remember Janice?