words in movies
CHANDLER: No he's, he's alright, just uh, he spends most of his time in his room.
RICHARD: Um, we should go too, I got patients at 8 in the moring.
CHANDLER: Oh, oh, c'mon in.
CHANDLER: Oh yeah, your uh, name came up in a uh, conversation that terrified me to my very soul.
CHANDLER: Bit country? C'mon in here you roomie.
JOEY: Uh, well, kinda yeah. Like, remember last week when Alex was in the accident? Well the line in the script was, 'If we don't get this woman to a hospital, she's going to die.' But I made it, ' If this woman doesn't get to a hospital, she's not gonna live.'
MONICA: Two it is. Ok, time for bed, I'm gonna go brush my teeth. [goes in the bathroom]
ROSS: Better not be doin' these in order.
RACHEL: Oh please. That Paolo thing was barely a relationship. All it really was was just, ya know, meaningless animal sex. Ok, ya know, that sounded soooo much better in my head.
CHANDLER: Hey I didn't kill your fish. Look Eddie...[puts his hand on Eddie's shoulder] Would you look at what I'm doin' here. That can't be smart. So we're just gonna take this guy right off ya and put him here in Mr. Pocket. Tangellon? [picks up the fruit an tosses it to Eddie, it hits Eddie in the chest and falls]
[Scene: Monica and Rachel's apartment. Monica and Richard are in Monica's bedroom.]
RICHARD: Honey, you are not an oat. I, I mean I don't know, I, I guess I'm just not an oat guy. I've only slept with women I've been in love with.
[Ross and Rachel are in Rachel's bedroom]
ROSS: Oh, hey, if I make you laugh, here's an idea, why don't you invite Paulo over and have a little romp in the sack and I'll just stand in the corner and tell knock-knock jokes.
[later in the bathroom Monica is looking in the drawer, Rachel runs up]
RACHEL: Oh they're in the top drawer. Hurry.
ROSS: So were you in Nam?
RICHARD: Uh, in the future, if I could see the schedule beforehand...
JOEY: Naa, they said that when they found my body, my brain was so smashed in that the only doctor that could have saved me was me. Supposed to be some kind of irony or somethin.
JOEY: No, I don't. It's like, ya know, you work your whole life for somethin' and you think that when you get it it's never gonna be as good as you thought it would be. But this so was. Ya know, it changed everything. Like the other day, I got this credit card application, and I was pre- approved. Huh? I've never been pre-approved for anything in my life.
[Scene: Chandler and Eddie's apartment.Chandler walks in to see Eddie holding a tray of cookies.]
CHANDLER: [looks in the fish bowl to see a fish cracker] Well that's not an, even a real fish. No, that's a goldfish cracker.
[Ross comes out of Rachel's bedroom in her bathrobe and heads for the bathroom. On his way back, Richard comes out of Monica's bedroom in her bathrobe.]
Joey: What are you talking about?! I'm the lead in a movie!
Rachel: Ok...this could be a little awkward...I'm just going to blow past it... well can't you just use that method actor thing where you use your real life memories to help you in your performance?
EDDIE: That's a tomato. This one definitely goes in the display.
Rachel: Youre so sweet. (Notices something in the crib.) Oh my God! And you gave the baby Hugsy! (A stuffed penguin wearing a ski jacket, goggles, and hat.)
Joey: Ah, I'm gonna be one of his helpers. It's just such a slap in the face, y'know?
CASTING GUY: Ok, listen, thanks for coming in.
Ross: I go back there with lawn ornaments, hes going to laugh in my face.
Rachel: Uh...no. No, no, in fact, you're not having a boy.
MR. GELLER: [going downstairs] Rachel, ready or not, here comes your knight in shining. . . oh no. [Chip has shown up and the four are leaving]
Monica: (pulling the plate back) Oh-ho! But not in here! Cant eat em in bed, remember? No crumbies!
Monica: Oh wait, wait, unless you happened to catch the Reruns' production of Pinocchio, at the little theater in the park.
[Scene: The apartment in the listing, the guys are checking it out. There's one problem though, it's roughly the size of this computer screen. As they enter Joey lets out a whistle.]
(Phoebe quietly wanders in, to join the tableau.)
[Scene: The Hospital, Marcel lies on the operating table while recovering from the anaesthetic, tucked up under a sheet like an infant in a huge bed. Ross sits beside him, as a smiling Chandler, Monica and Rachel look on.]
[Scene: Chandler and Joey's erm, Monica and Rachel's, Phoebe and Monica are plugging in a bunch of electronics.]
CHANDLER: Well, ye, yes, actually, but, uh, they were my Aunt Edna's, and there were three of us in there.
[Scene: Monica and Rachel's apartment. Joey and Rachel are sitting there and Monica walks in.]
Mrs. Bing: No. Because I know how to write men that women fall in love with. Believe me, I cannot sell a Paolo. People will not turn three hundred twenty-five pages for a Paolo. C'mon, the guy's a secondary character, a, y'know, complication you eventually kill off.
MONICA: Put all my money in me.
Phoebe: Yeah, Ive discovered that Ross forgot to take his brain medicine, uh, now without it, uh, in the brain of Ross, uh womens names are interchangeable, through-through no fault of his own.
Rachel: Whoa!! Whoa, whoa, wait a minute. What time did your little friend leave? (Ross cant answer that) Oh my God. She was there? She was still there? She was in there, when I was in there?!
RACHEL: Ohh, what is in that?
Ross: Come on Rach, you cant even eat alone in a restaurant.
[Scene: Ross's apartment, everyone but Rachel is seated around his table. The Lion Sleep Tonight plays in the background.]
(The others have been taking all this in.)
JOEY: [in the voice] Hard to say.
Ross: It was 5:30 in the morning, and you had rambled on for 18 pages. Front and back!! (they go into the living room, trapping Monica, Chandler, and Joey in the kitchen) (to Rachel) Oh-oh-oh, and by the way, Y-O-U-apostrophe-R-E means you are, Y-O-U-R means your!
[Scene: The fancy restaurant, Angela has her hand in Bob's shirt, and Monica is very uncomfortable.]
Ross: Yeah, didn�t I mention that? Yeah, I mean, we haven�t being going out for too long, but rather there is thisamazing connection between us. I-I mean, in fact just before you came in she called me her boyfriend. I thought it wasa little too soon, but it was also, you know, it was kinda nice.
PHOEBE: Ok, I'm in the book.
Mike: Well, I mean... It sounds good to me. And that way we can save up, come back in a few years and make an even bigger donation.
[They leave. As they're walking out, the bullies are walking in.]
[they all jump in the street and prepare to fight]
CHANDLER: Ok. [reaches in his pocket]
Rachel: Hey! Wait a minute! That was different! I did those things because I was in love with you!
[Scene: A wintry February day in New York City, snowplows are clearing the streets. Inside Central Perk, all three girls are paying court to Ross.]
Phoebe: Yeah! Lets do that!! That-that sounds good. We should sit down and talk, just me, my lover Carol, and the Stings. Umm, how-how will I get in touch with them?
EDDIE: Yeah, you know, put chips in it, we'll make like a chip chick.
Molly: There is a man behind your curtain. I have a mace in my purse.
Ross: I was working late in the library one afternoon. It was just the two of us. She needed some help with her word jumble. And one thing led to another. If you must know, Anita was very gentle and tender. May she rest in peace
MRS. GREENE: Oh, I missed you kids. Well, should I put my coat in the bedroom?
[Scene: Later on in the hallway between the apartments. Chandler is showing people to the parties.]
Joey: (in a gravely, painful voice) Okay. "Hey, Timmy, Ive got a surprise for you."
Joey: In Bizarro World!! You broke the code!
Bitsy: She actually makes me miss that pill-popping ex-wife of his. (Mike walks in) Oh, hello dear...
[Back in Chandler and Joey's party]
[Back in Monica's party]
[Back in Monica's party]
Monica: Yknow, in my defense, umm there was no glitter on the macaroni and very little glue.
[Scene: The Department Store, Joey and the Hombre man are facing off in Joey's section.]
Monica: Okay! Okay! We can take a hint! (They start to leave but run into Phoebe with her guy in tow.) (To Phoebe) What are you doing here?!
RACHEL: Oh, what a load of crap. That is a dot. Your mother is up in heaven going, 'Where the hell is my lily, you wuss?' OK, Phoebe, that is not a tattoo, this is a tattoo. [she bends over and bears her tattoo right when Ross returns]
Monica: Okay, we're gonna start in the kitchen. Plates get put into plate protectors and stacked ten to a box. The silverware gets bundled in rubber bands and then bubble wrapped. Got it?
JOEY: Closed set. We know but we're friends with the monkey. [guard lets them in]
Phoebe: Come, sit. (He's hesitant.) Sit. (Still hesitating.) Sit! (He sits on the arm of the couch.) Umm, all righty, before we get started I justI need you to state for the official record that you are in fact Frank Buffay.
Ross: Oh, (he goes towards Mike in order to shake hands but Mike hugs him) hey, oh... I... I was-I was going for a hand shake.
Carol: I cant speak for Emily, but Susan is in a loving, committed relationship.
JOEY: Oh, I'm gettin' heat from the guy in the hot pink thong.
Phoebe: (in her head) Say something! Say anything! Ask her out! Shes not your cousin!
JANITOR: Your monkey found a new career, in the entertainment field. That's all I know.
[they both pour in packets of cappucino mix]
[Scene: Chandler and Joey's, Joey and Chandler have trading the entertainment center for the canoe. Joey is sitting in the bow, staring off into space as to envision his future full of possibilities. Chandler is sitting at the stern, staring into space and is looking at an uncertain future.]
CHANDLER: I, I know. [Hugs her. Ross walks out and Chandler puts her in his arms.]
PHOEBE: Oh ok, Ryan, that guy I went out with, who's in the Navy.
Joey: I'm gonna do it. (He downs the juice in one swig again.)
Priest on TV: We are gathered here today to join Joanne Louise Cunningham and Charles, Chachi-Chachi-Chachi, Arcola in the bound of holy matrimony.
[Scene: Monica and Rachel's apartment. Monica and Richard are in her bedroom.]
Monica: Because hell know what to do? (Rachel comes out of her room with a bear thats dressed in a rain suit.) Oh my God, youre a genius!
Frank Jr.: Alright, alright, alright. Remember what we talked about. When we're in a public place, there are certain rules.
PHOEBE: Come in.
Joey: A little more, a little more. (she stuffs some more down his pants and Joey's assesses the how many there already are in there.) A little more... All right. Okay, all right, let's do this.
Ross: (to the guard) Dont sweat it, Ive got this section covered. Yeah, in fact Ive got this little baby (Turns on a mini-flashlight) to shine in peoples eye(The guard walks away)Okay, see you later.
PHOEBE: Ya know, in all the years that we have been grandmother and granddaughter, you have never lied to me.
Phoebe: Well, he was a he in Arthur, and in Ten.
Chandler: I like it in the stern. (Realizes what he just said.) of the boat. (The phone rings, and he answers it.) (on phone) Hello.
[Scene: Chandler and Joey's apartment. Joey is making marinara sauce and filling every container in sight. Chandler enters.]
Rachel: Oh, I dont know. Well maybe its just the idea of Barry for the rest of my life. I dont know I think I feel like I need to have one last fling, y'know, just to sorta get it out of my system. (Chandler is listening in very intensely)
[Later, Phoebe is on the phone, theyre all still trapped in Monicas bedroom.]
Chandler: Hey, you know what you can do? I remember reading about this director, I think it was Orson Wells, who at the beginning of the movie would hire somebody, just so he could fire them in front of everybody. Then they would all know, whos boss.
Chandler: She's not gonna care if I put her stuff back in the same stupid place.
(Chandler starts to leave ashamed of himself, but Rachel stops him in the hallway.)
ROSS: Is this what you had in mind?
[Scene: Central Perk. Rachel is closing. Ross walks in in a uniform.]
CHANDLER: Yeah, Ross can't go so it's between my friend Eric Prower who has breath issues and Dan with the poking. [starts poking Monica in the shoulder] 'Did you see that play? Do you want some more beer? Is that Spike Lee?'
RACHEL: Phoebe, I thought your dad was in prison.
Chandler: (in accent) Oh, just a bit of shopping. How've you been?
TRAINER: In human terms, I'd say Cybill Shepard.
Dr. Miller: Okay. You've got a small, minor infection in that left eye. I want you to take these drops three times a day and you'll be as good as new.
Mike: Great! Come on in! (Mike kisses her on the cheek. A butler walks in and takes Phoebe's coat.)
RICHARD: Honey, you are in it.
MONICA: Yeah, am I in it?
(Now Joey also wants to listen, and wants to press his ears against the door, which has a big mirror on it, he hesitates seeing himself in the mirror, but still puts his ear against it. We move again to Rachel's room.)
MRS. GELLER: So Jack, you ever think about trading me in for a younger model?
Ross: You know, sometimes when I'm alone in my apartment, I look over here and you guys... are just having dinner or... watching TV or something, but... it makes me feel better. And now when I look over, who am I gonna see? The Gottliebs, the Yangs? They don't make me feel so good. (Joey pats Ross on his back)
[The video is a very dramatic episode with an obviously dubbed voice for Phoebe. Everyone watches in disbeliefe]
Ross: (chasing her, trying to zip up his pants. His got them on right now.) No, wait! Emily! No, wait, stop! Emily, please(He catches something important in the zipper and howls like a little boy and falls to the floor.)
Chandler: Well, maybe you can get in on a beauty scholarship.
Mike: I haven't been home in a couple of days and I need to get some more clothes.
Rachel: Oh! I see. And I've sort of been maintaining my amateur status so that I can waitress in the Olympics.
Rachel: But you have it right there in that file? You could tell us whether its a boy or a girl? Dayton or Sandrine? Phoebe or Phoebo?