words in movies
[Scene: Chandler and Eddie's apartment. Chandler is at the foosball table trying to get Phoebe to play a game with him.]
PHOEBE: No. This game is grotesque. Twenty armless guys joined at the waist by a steel bar, forced to play soccer forever. Ahh, hello, human-rights violation.
CHANDLER: Ya know Phoebs, don't feel so bad for 'em. After they're done playing, I break out the little plastic women and everybody has a pretty good time.
CHANDLER: Ah he's a, he's not a big fan of foosball.
PHOEBE: Oh yeah, it'll be fun. [throws a tennis ball at Eddie's bedroom door]
PHOEBE: Oh good, ok. Oh nooo, I have to go because I'm late for my um, Green Eggs and Ham discussion group. Um tonight it's why he would not eat them on a train. Have fun bye.
CHANDLER: So, you uh, you think that Speed Racer guy gets a lot of tickets er?
EDDIE: Not Sean Penn. Alright, I, I've got a funny one, alright. My last girlfriend Tilly. Ok, we're eating breakfast, right, and I made all these pancakes, there was like 50 pancakes right. And all of the sudden she turns to me, alright, and she says, 'Eddie.' I say, 'yeah,' she says, 'Eddie, I don't want to see you anymore.' And it was literally like she had reached into my chest, ripped out my heart, and smeared it all over my life, ya know. And now there's like this incredible abyss, ya know, and I'm falling and I keep falling and I don't think I'm ever gonna stop. [finishes laughing] That uh, wasn't such a funny story, was it?
PHOEBE: And a crusty old man said I'll do what I can and the rest of the rats played moroccas. That's it, thanks, good night.
PHOEBE: Oh, this is so nice. Alright I have to make a speech. I just wanna say that of all the guys that Monica has been with, and that is a lot, I like you the best.
RICHARD: Hear that? She likes me best, and apparently there've been a lot.
MONICA: Not a lot, Phoebe's kidding, Phoebe's crazy.
[Scene: Chandler and Eddie's apartment. Chandler is there. There's a knock at the door. He answers it to see a young woman holding a fishtank.]
CHANDLER: Oh, uh, he's not here right now, uh, I'm Chandler, can I take a message, or, or a fishtank?
CHANDLER: Oh yeah, your uh, name came up in a uh, conversation that terrified me to my very soul.
CHANDLER: Yes. Hey, can I ask you, is Eddie a little...
EDDIE: [walks around corner] A little what?
CHANDLER: So, we gettin' a fish?
PHOEBE: Hey is this true, that you write a lot of your own lines?
JOEY: Uh, well, kinda yeah. Like, remember last week when Alex was in the accident? Well the line in the script was, 'If we don't get this woman to a hospital, she's going to die.' But I made it, ' If this woman doesn't get to a hospital, she's not gonna live.'
[Scene: At a writer's desk. The writer is working on a script for Days of Our Lives.]
MONICA: Well it wasn't that many guys. I mean, if you consider how many guys there actually are, it's a very small percentage.
RACHEL: Hey, it's not that big a deal, I was just curious.
RICHARD: Woah, woah, no wait a minute now. C'mon it's your turn. Oh c'mon. Ya know, I don't need the actual number, just a ballpark.
MONICA: Ok, it is definitely less than a ballpark.
RACHEL: Oh please. That Paolo thing was barely a relationship. All it really was was just, ya know, meaningless animal sex. Ok, ya know, that sounded soooo much better in my head.
CHANDLER: This is nuts. This is crazy. She came over for like two minutes, dropped off a fish tank, and left, end of story.
RICHARD: Well, that's not bad at all. I mean, you had me thinkin it was like a fleet.
MONICA: Well, it just seems like a really small number.
MONICA: And, well, don't you have a lot of wild oats to sew? Or is that what you're doing with me? Oh my God, am I an oat?
ROSS: Oh, hey, if I make you laugh, here's an idea, why don't you invite Paulo over and have a little romp in the sack and I'll just stand in the corner and tell knock-knock jokes.
ROSS: Animal sex, animal sex? So what're you saying, I mean, you're saying that like, there's nothing between us animal at all. I mean there's not even like, uhm, a little animal, not even, not even like, like chipmunk sex?
RICHARD: I have a little comb.
RICHARD: A moustache comb.
DR. REMORE: Amber, I want you to know that I'll always be there for you, as a friend and as your brother.
RACHEL: Well, maybe they can find a way to bring you back.
PHOEBE: But Joey, you're gonna be fine. You don't need that show, it was just a dumb soap opera.
[Scene: Chandler and Eddie's apartment.Chandler walks in to see Eddie holding a tray of cookies.]
EDDIE: I got a little surprise, look. There's a new fishie. I named him uh, Chandler, you know, after, after you.
CHANDLER: [looks in the fish bowl to see a fish cracker] Well that's not an, even a real fish. No, that's a goldfish cracker.
Rachel: (to Julie) Thank you. (under her breath to Chandler) What a bitch.
Phoebe: Monica, she will kill you. She will kill you like a dog in the street.
Monica: It's gonna be a problem, isn't it?
[Scene: A Department Store, Joey is selling men's cologne.]
Ross: It's a big deal to me. This is great, Monica. I really appreciate this.
Monica: Yeah, uh, it's actually not that big a deal.
Joey: (A guy walks by) Bijan for men? (Another guy walks by) Bijan for men? (Another guy walks by) Bijan for men? (An attractive woman walks by.) Hey Annabelle.
Joey: Well, he's gonna. I'll see you a little later, ok? (To the Hombre Man) Hey, how ya doin'?
[Scene: Joey and Rachel's, Joey is walking from the bathroom to his bedroom and walks past a pile of Rachels laundry, which just happens to include a selection of panties. He stops, goes back to the basket, looks for Rachel, picks up a lavender thong, and heads for his bedroom. However, he decides he doesnt like his selection and goes back this time picking up a red low-cut silk brief and heads for his room, flexing along the way to prove his masculinity.]
Monica: You had a salad.
Phoebe: I went shopping with Monica all day, and I had a salad.
Susan: Honey, relax. Ross is great with him. (Ross looks at her.) Don't look so surprised. I'm a lovely person.
Ross: Carol, we've been through this before, ok? We have a good time. We laugh, we play. It's like we're father and son.
[They go into the apartment. Inside the apartment it looks like a sewage dump exploded and landed in her living room. There are clothes and food and junk covering every square inch of space. I mean pigs have nicer pens. Ross is completely shocked.]
Rachel: Well, first of all, Paulo and I are not back together. It was just a stupid thing I did, and if I could go back in time and do it again, well, I wouldn't. Um, second of all (Ross is laughing), what?
Ross: Not even if Carol's breast had a picture of a missing child on it.
CHANDLER: I don't know, Richard's really nice and everything, uh, it's just that we don't know him really well, ya know, and plus he's, ya know, old [Monica gives him a glare] -er than some people, but, uh, younger than some buildings.
Monica: (on the phone) Hi, who's this? (Listens) Hi, Joanne. Is Rachel working? It's Monica. (Listens) Yes, I know I did a horrible thing. (Listens) Joanne, it's not as simple as all that, ok? (Listens) No, I don't care what Steve thinks. (Listens) Hi, Steve.
(There's a knock on the door which is answered by Phoebe.)
Carol: Ross, you're being silly. I've tried it, it's no big deal. Just taste it. (Holding out a bottle.)
Joey: Or maybe it's because this guy's doing so good they wanna put more people on it. (Chandler pours some juice in a glass.) You should see this guy, Chandler, he goes through two bottles a day.
Chandler: All right. Now go see Miss Kitty and she'll fix you up with a nice hooker.
Rachel: Oh, no problem. You can borrow it, by the way. (Puts her hand in the pocket) Here are your keys, hon. (She takes the keys out, sets them on the counter, and notices she also grabbed a receipt.)
Phoebe: No! No! Its-its uh a real thing! Anyone can get ordained on the Internet and perform like weddings and stuff!
Hombre Man: I'm sorry. I am such a doofus. I'm so sorry, I'm so sorry.
Joey: Clear the tracks for the boobie payback express. Next stop: Rachel Green. (He goes into the bathroom. We hear a scream and he comes out, closely followed by Monica in a towel)
(They walk off into the sunset, at least a picture of one.)
Rachel: So. I just thought the two of us should hang out for a bit. I mean, you know, we've never really talked. I guess you'd know that, being one of the two of us, though, right?
Julie: Thanks. Hey, listen, would you like to go to a movie sometime or something?
Rachel: Bye. (After Julie exits.) What a manipulative bitch.
Ross: (with a mouthful) That's not bad.
Chandler: No! (Calls) Danielle, hi! It's, uh, it's Chandler! (Listens) I'm fine. Uh, listen, I don't know if you tried to call me, because, uh, idiot that I am, I accidentally shut off my phone. (Listens) Oh, uh, okay, that's fine, that's great. (Listens) Okay. (Puts down the phone.) (to Monica) She's on the other line, she's gonna call me back. (He starts doing a little jig.) She's on the other line, she's gonna call me back, she's on the other line, gonna call me back...
JOEY: That was a good one. For a second there, I was like, "whoa."
JOEY: Hold it hold it. I gotta side with Chandler on this one. When I first moved to the city, I went out a couple of times with this girl, really hot, great kisser, but she had the biggest Adam's apple. It made me nuts.
PHOEBE: You name one woman that you broke up with for a real reason.
Rachel: (reading what he wrote again) "Dear Rach, youre a great person. Sorry about your tiney-wienie." (Will laughs.)
PHOEBE: I don't know, it's just, you know...monkeys, Darwin, you know, it's a, it's a nice story, I just think it's a little too easy.
PHOEBE: I'm sorry, but sometimes they need help. That's fine. Go ahead and scoff. You know, there're a lot of things that I don't believe in, but that doesn't mean they're not true.
Paul: Well, ever-ev-... ever since she left me, um, I haven't been able to, uh, perform. (Monica takes a sip of her drink.) ...Sexually.
(Ross starts to laugh, and then makes a face like 'Why did I just say that?' Ross' ex-wife, Carol, and her lesbian lover, Susan, enter the restaurant. Ross stares at them.)
Ross: What? A dog? No! Rachel gets to choose.
RACHEL: Yes you do. You think of it as your apartment, and I'm just somebody who rents a room.
RACHEL: Ok, while you "mmm" on it for awhile, I'm gonna go find a place for my new lamp.
Rachel: Oh my god. Oh my god. (She decides to make a break for it.) Excuse me. Move! Move! Emergency! Excuse me! (She tries climbing over a bench and falls down.)
Ross: Y'see, that's where you're wrong. Why would I marry her if I thought on any level thatthat she was a lesbian?
[Scene: Chandler and Joey's apartment, Joey is trying to turn the sofabed back into a sofa. Someone knocks on the door and it rears up at him.]
JOEY: Chandler, Heckles was a nut case.
[Time Lapse, Rachel and Ross are watching a TV channel finishes it's broadcast day by playing the national anthem.]
JANICE: Is it yours? Ha! You wish, Chandler Bing. You are looking at a married lady now.
MONICA: Hey, Rache. You know what we haven't played in a while?
Rachel: (Resenting the truth) I am not a baby! You know what? I swear to god, just because you get so uptight every time we...
CHANDLER: Janice was my safety net, ok? And now I have to get a snake.
MONICA: Wait a minute, wait a minute. Yes he is. You are totally different.
Ross: Ooh, somebody's getting a little fussy.
CHANDLER: In a bad way?
RACHEL: You are ready to make a commitment!
MONICA: You are not a freak. You're a guy.
Rachel: Its good. Except he makes us watch the Discovery Channel all day long. Did you know that something really boring happened to someone really ugly in the Middle Ages? (to the waitress handing her a cup of coffee) Oh, thank you. Ill see you guys later.
ROSS: Not hating Yanni is not a real reason.
RACHEL: Uh, no she doesn't but I can, I can get a message to her.
RACHEL: Oh, please, Monica. You've always hated my lamp, and then, all of a sudden, it's just magically broken?
JOEY: [to a wedding guest] How's that pig-in-the-blanket workin' out for you? [the guy nods] I wrapped those bad boys.
ROSS: There might be, a teeny, tiny, possibility.
MONICA: Wait a minute, who told you? [turns to Chandler who's looking sheepish] You are dead meat.
CHANDLER: I didn't know it was a big secret.
Chandler: Sure, everybody loves a kidder.
ROSS: Joey, what did you think a nubbin was?
JOEY: I don't know, you see somethin', you hear a word, I thought that's what it was. Let me see it again.
JOEY: I can't believe you. You told me it was a nubbin.
PHOEBE: You have a third nipple?
PHOEBE: Well, I mean, I'm not married married, ya know, he's just a friend and he's gay and he's just from Canada and he just needed a green card.
PHOEBE: Yeah, is there a hair on it?
CHANDLER: Joey was in a porno movie.
Ross: Y'know, here's the thing. Even if I could get it together enough to- to ask a woman out,... who am I gonna ask? (He gazes out of the window.)
Carol: It's not true. I never called your mother a wolverine.
RACHEL: Let me tell you something. As a woman there is nothing sexier than a man who does not want to have sex.
ROSS: Ooh, I, I'm so sick of missing stuff. Ya know, I want him for more than, than a day, I want him for a whole weekend. No listen , I mean, I feel like-
ROSS: Julie, can you hold this for a second, thanks. [hands her a bowl and kisses her]
CHANDLER: Sorry, you had a paleontologist on your face. But, uh, it's gone now, you're alright.
Joey: All right, I'll give you this, Mr. Peanut is a better dresser. I mean he's got the monocle, he's got the top hat...
CHANDLER: OK, now wait a minute. That is the craziest typing test I've ever seen.
DUNCAN: Oh, yeah, um, alright, I kinda need a divorce.
[Scene: Chandler's Office, Chandler & Nina are locked in a passionate embrace. Someone knocks, so they hurriedly separate to stare out of the window. Chandlers boss opens the door.]
DUNCAN: I know, that's what I kept telling myself but you just reach a point where you can't live a lie anymore.
PHOEBE: And um, and there's actually a, a woman?
DUNCAN: Well, I've never told you this but, there were one or two times, back in college, when I'd get really drunk, go to a straight bar and wake up with a woman next to me. But I, I, I told myself it was the liquor and e-everyone experiments in college.
JULIE: That saves us a conversation.
JULIE: Well, that could take a while.
Roy: Didn't do anything? I took a bus all the way from Hoboken. I climbed ... I dunno... like a billion stairs... It's not like I can take them two at a time!
CHANDLER: C'mon, there's nothin' to see, it's just a tiny bump, it's totally useless.
Chandler: Yes. It's very difficult to appreciate a Thanksgiving dinner once you've seen it in reverse.
MONICA: Rach, I know her pretty well, can I go? [Rachel gives her a look from hell] That's fine.
JULIE: Well, in a nutshell. . .
[Scene: Nana's Bedroom, Ross is holding a dress out from inside the closet.]
JOEY: Boy that Julie's a talker, huh?
RACHEL: Now, what exactly is in a cobb salad?
JADE: I got a little drunk...and naked.
CHANDLER: Can you hold on a moment? I have another call. (to Ross) I love her.
CHANDLER: Ok. Ok. Having a phone has finally paid off.
ROSS: Even though you do do a good Bob impression, I'm thinkin' when she sees you tomorow, she's probably gonna realize, "hey, you're not Bob."